drawing marathon | wintersession 2022
charcoal on 50” stonehenge paper
Drawing series exploring accumulation and erasure as a temporal process.
Each day began by smudging away the previous drawing, leaving a toned surface on which to begin again. As a result, no image persists—only traces remain through repeated cycles of drawing and removal.
The work treats drawing as an evolving field rather than a fixed object, where memory, residue, and time become the primary material.
