drawing marathon | wintersession 2022
large-scale drawing investigating material, light, and narrative through layered figuration
linen canvas 60” x 40”

Built from gesso tinted with graphite and worked through scraping, etching, and accumulation, the surface constructs a nocturnal scene of collision between human, animal, and machine. The composition draws on the spatial condition of driving rural roads at night, where depth compresses into a tunnel of limited visibility.

Within this constrained field, the image stages a suspended moment of decision—balancing care, violence, and uncertainty—where material texture and light intensify the tension between presence and inevitability.

Spatial studies of night driving conditions informing composition:



JULIAN KRUSIC
O’DONNELL

portfolio
rhode island school of design
industrial design | drawing
bfa june 2022 conferred with honors

This work reflects an early foundation in art and industrial design, developed through material exploration, prototyping, and drawing.
While focused on objects, these projects established an approach to making and iteration that continues to inform my architectural work.


early post-graduate freelance
project design:
walls
windows
lighting
undergraduate work
design:
soft chair
rigid chair
headphone
glass house
a•nem•o•ne
pendant
drawing:
erasure
headlights
architecture
beth din
universal + particular
writing:
utopias
leonardo